Victorian Butter Stamp and Glass Butter Churn
Kiplin Hall and Gardens

Moulds and stamps to shape butter were used from Tudor times onwards, rising in popularity in Victorian homes and farms. In commercial settings, they acted as a label or mark to help customers to identify which farm the butter had come from and provide easy recognition of favoured farm produce. In homes, they were used as decoration and a reflection on the refined tastes of the homeowner.

They were often made from fine grained woods including sycamore which did not taint the flavour of the butter.

This example is part of the Annie Marchant Kitchen and Dairy Collection at Kiplin Hall and Gardens. Annie Marchant was an antiques dealer. She died in 2020, leaving her collection, along with the funds to care for it, to a museum. She had a particular passion for reusing and recycling, as well as growing and preserving produce after harvest, often reflected in the objects she collected.   

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An important product

Butter was the main fat used in a range of baking, including in pastry, as well as eaten on bread, so butter was much in demand. Extra was made during the summer months when cows were producing more milk, to be stored for the winter. Before the job was mechanised, creating butter from milk was a labour-intensive process, almost always carried out by women. 

This glass butter churn with wooden paddle, also from the Annie Marchant Collection, gives us a glimpse into how it was done.  

The dairy maid would milk the cows, carry the pail inside and strain it to remove impurities. It would be left next to stand in shallow dishes to allow the cream to rise over the course of the following day or two. This cream, once skimmed from the milk, could then be churned for butter by moving the paddle moved back and forth vigorously. The set butter was scraped out, leaving the buttermilk for drinking or baking.

This churn would have been considered a luxurious alternative to the simple and more usual barrel which was operated with a plunger worked up and down.  

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 Collectible items

Today, butter moulds and stamps have become collectible, especially those that are pre-Victorian, and are having a bit of a come back. Some chefs and restaurants now provide diners with beautifully-shaped butter or even butter sculpture.

You can often find Victorian examples of butter stamps in museum collections. Their designs vary widely, often featuring agricultural imagery, like this example with a sheaf of wheat, from Ryedale Folk Museum in the North York Moors. Other popular designs included floral motifs.

Click on the photo to enlarge it.

Activity – – introduce this to your group as a mystery object. Can they tell what it is from the clues?


Talking Points

Do you think you’d be impressed if someone presented you with butter stamped with this design?

Do you think a butter stamp like this took much skill to carve? Why / why not?

Butter stamps are becoming more popular again. What design would you put on one if you were designing it? Why?

in 1861, Mrs Beeton’s Book of Household Management prescribed that great care should be taken of the butter mould: ‘They should be kept scrupulously clean and, before the butter is pressed in, the moulds should be scalded.’ Do you agree this would be important? Why/ why not?

Annie Marchant was passionate about her collection. Do you collect anything, or would you consider starting a collection? Do you think it will be of interest to a museum in the future?

Vocabulary

Scalded: immersed in boiling water

Motif: a decorative image or design

In the Classroom

Hotseat

Interview a student in role as a dairy worker about their job. What aspects do they like? What do they find hard work? 

Hands on History

Discover more about Kiplin Hall and Gardens, or pay them a visit to see more of the Annie Marchant Dairy Collection. 

Museum Location

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